Without financial backing for a stage production in 1970, Andrew Lloyd Webber composed the music and Tim Rice the lyrics for a concept album called JESUS CHRIST SUPERSTAR. Its popularity led to the first Broadway production in 1971.
Sydney followed in May 1972, with Jim Sharman as director and Brian Thomson designer, (the team who later did “The Rocky Horror Picture Show”). Sharman and Thomson oversaw the London West End production in August 1972. It ran for over 8 years there and held the record for the longest running West End musical, before being overtaken by ‘Cats’ in 1989.
52 years later, JESUS CHRIST SUPERSTAR is back at the Capitol, with a 21st century faster and feistier production.
From the first soaring electric guitar note, the powerful set design and the diversity of costumes, the visuals and sound are a perfect fit for the colourful, warm and vibrant Capitol theatre.
Tom Scutt designed the brilliant set and diverse costumes – from chic, casual streetwear (on Jesus’ followers) to the striking High Priests’ outfits (Elliot Baker and John O’Hara) and Herod’s wonderful shining, caped, golden creation. Reuben Kaye is dynamic as Herod. As an experienced cabaret and drag performer, he brings high energy and humour to the role.
The dancers are sharp and fast, the choreography by Drew McOnie fantastic. The pace, under the intuitive direction of Timothy Sheader, needs to be fast – in contrast to the biblical storyline. It’s worth knowing the story behind the last days before Christ’s crucifixion and its characters before seeing the Rock Opera.
The musicians and singers are strong and captivating. Michael Paynter is mesmerising as Jesus. His has complex emotions, intriguing stage presence and a strong commanding voice.
Mahalia Barnes is a powerful and yet grounded Mary. Silently strong. A great contrast to the chaos around her. Her voice is so effortless and delightful to listen to. Hers is the best version I’ve heard of “I Don’t Know How To Love Him”.
Javon King as Judas is a formidable rival and challenge to Paynter’s Jesus.
Sparring in song. In a Rock Opera, it’s imperative to sing the story.
Congratulations must go to Lee Curran’s lighting design. It certainly lights up the action and keeps the audience wanting more. Nick Lidster’s sound design is great too.
This production of JESUS CHRIST SUPERSTAR IS a fabulous chance to enjoy a timeless, professional and enjoyable Rock Opera. Even if you don’t know the soundtrack, it’s a rich experience.
It plays at the Capitol Theatre, Sydney, until the 26th January, 2024.
Featured image : Javon King and Michael Paynter in JESUS CHRIST SUPERSTAR. Production photography by Jeff Busby
