Judith is a Sydney theatre worker who was ‘born in a trunk’. With a lifelong passion for all performing arts, she has turned her hand to many jobs in film, TV and live theatre. Ranging from earning pocket money for trimming the back legs off tables, so they sat flat on raked stages to owning her own touring theatre company.
A lighting designer by trade, Judith experiences performances with a technical eye and an understanding of the jobbing actor and the theatrical bedrock which supports them.
Blackout Theatre is kicking ass and taking names at Lend Lease Theatre in the Darling Quarter.
Add my name to the list: the list of supporters and advocates for this kick-ass community theatre and the list of audience members who …
If INTERSECTION is any indication of the professionalism, focus and commitment of the next generation of performing artists then the art is in a pretty good state. From 15 -24 years, these nineteen actors have my complete admiration for their …
What’s the right stuff for a small theatre company to succeed in such a crowded Sydney performance scene? Drive, nous, commitment and a unique take on what will strike a chord with audiences? The General Public Theatre Company seems to …
Diversity within the LGBTIQ community? Search no further than the 24th Mardi Gras Film Festival program. Curated by Queer Screen, the range of topics and genres is truly impressive.
At the season launch last night, Queer Screen’s President Lisa …
DON’T CALL ME SON is an intimate film. The story, the characters, the setting … all personal. The filmmaking… close-up and exclusive of clutter in dialogue, plot and technique. One of the films chosen for Queer Screen’s 24th Mardi Gras …
CHAMPIONS is a stonkingly good dance work … with the common touch.
It’s a large scale work with 11 dancers filling a field of dreams inside the vast space and it begins like any large scale sporting event with the …
As the wafting smoke from the Welcome to Country drifts through the audience it seems to help me focus. It envelops so that the traffic speeding past seems distant. The smoke is pungent and yet soothing. It heightens my senses …
Ockham’s Razor is a London based performance company who are back for the Sydney Festival. Patrons who saw them in 2014 will have some idea what to expect, though this is a very different show. The philosophical concept Ockham’s Razor …
It’s often said that the opening credits of a film tell the story. A MILLION HAPPY NOWS begins with a short journey through a glare filled garden of jagged branches into an indistinct washed out, white walled home through a …
You know you have been teaching too long when edu-speak is pounding in your head. Resilience – it’s been a pedagogic catch cry for a decade or so and it’s there front and centre of my mind as I watch …