Judith is a Sydney theatre worker who was ‘born in a trunk’. With a lifelong passion for all performing arts, she has turned her hand to many jobs in film, TV and live theatre. Ranging from earning pocket money for trimming the back legs off tables, so they sat flat on raked stages to owning her own touring theatre company.
A lighting designer by trade, Judith experiences performances with a technical eye and an understanding of the jobbing actor and the theatrical bedrock which supports them.
LOVE BITES at the Hayes Theatre at the moment. Well, sometimes it bites, taking a large chunk out of your heart but at other times it just nibbles your ear and makes you love it. Toe tappers and heartbreak songs …
For me, Sydney is at its best in September. Warm, sunny days and cool nights which can be spent in odd little theatres watching unique shows courtesy of the Fringe Festival. “No Exit” is both these things. It’s playing in …
THE SHEDS, which is part of the Sydney Fringe festival, originated as part of the Melbourne Fringe, and is travelling to the Adelaide Fringe in February. The play is a niche piece and the gay community will probably take it …
This is a show that explodes open with chaos and empty wine bottles. To “Que sera sera” on the soundtrack, the Aunt Agony of the title attempts to straighten up her disordered life in hilarious fashion. Straight away the audience …
We are so lucky to live in a city with a festival like The Fringe which gives us the opportunity to enjoy quirky little plays like OFFICE INK. Set in an office supply company, this show is somewhere between a …
Setting: The setting for Act 1 was a domestic home suggested by an open house frame which clearly delineated rooms without walls. The cast were on stage reading a bedtime story to the children and working at the table …