Judith is a Sydney theatre worker who was ‘born in a trunk’. With a lifelong passion for all performing arts, she has turned her hand to many jobs in film, TV and live theatre. Ranging from earning pocket money for trimming the back legs off tables, so they sat flat on raked stages to owning her own touring theatre company.
A lighting designer by trade, Judith experiences performances with a technical eye and an understanding of the jobbing actor and the theatrical bedrock which supports them.
Going grey should be a sign of maturity and wisdom – not for Chris Ryan. Stuck in a generation consumed by self-improvement and property, Chris just wants to avoid confrontation with dickheads (but they’re everywhere).
Chris Ryan’s laconic take …
URZA AND THE SONG IN THE DARK is exactly what I always expect from Matriark Theatre – Artfully analogue, handmade, bespoke excellence in design and execution. It’s a wonderful production which is bursting with humanist joy, the visualization of the …
MODICUS – THE FLOODED LIBRARY, new works from James McGrath. In this exhibition of birds against paper and in ancient libraries, the artist uses the images of flooding books as a metaphor for knowledge in the digital age …
They ask nothing of us. No requirement for any depth of domestic political knowledge, no necessity to immerse in the Sturm und Drang of geopolitical border drawing and you don’t really even need to have a sense of humour either. …
Created by a group of event students at the University of Technology Sydney is October’s newest charity event to hit Sydney, known as The Wishful Quest in support of The Children’s Hospital at Westmead.
All of our profits will be …
A MIDNIGHT VISIT is Sydney’s first large-scale immersive theatre experience. Sited in Newtown, it opens to Previews soon and we caught up with Kirsten Siddle one of the Creative Producers.
A MIDNIGHT VISIT draws on the works and worlds of…
Riverside’s National Theatre of Parramatta has unveiled their 2019 season including three Australian premieres and a newly commissioned work.
In its fourth year of bringing powerful and inspiring works to the stage, the NTofP program focuses on identity and celebrates …
When The Guide saw SMASH HITS AND STEREOTYPES last year we wanted it to have a life (SAG Review) and here it is back for this year’s Sydney Fringe.
It’s Flora’s 21st birthday, and she and her friends…
“I’m Bobbie. As in Bobbie Dazzler, my Nan says, although I don’t know who that is. And this is my brother Hench. He’s got a face for radio.”
Hench is 16, Bobbie is 14. They’re home alone in Feltham with … 
Patrick Marber’s AFTER MISS JULIE is a fascinating exercise in reinventing a classic and if the production playing as part of the Sydney Fringe is an imperfect rendering, it is nevertheless a watchable evening for both a Strinbergian like …