Judith is a Sydney theatre worker who was ‘born in a trunk’. With a lifelong passion for all performing arts, she has turned her hand to many jobs in film, TV and live theatre. Ranging from earning pocket money for trimming the back legs off tables, so they sat flat on raked stages to owning her own touring theatre company.
A lighting designer by trade, Judith experiences performances with a technical eye and an understanding of the jobbing actor and the theatrical bedrock which supports them.
Winner of the Judges’ Award in the prestigious Bruntwood Prize for Playwriting (UK), Australian playwright Kendall Feaver’s THE ALMIGHTY SOMETIMES is a profound and unflinching look at mental health and the medication of children.
Following a critically-acclaimed UK season, …
‘New Sacred — A joint role exhibition encouraging curatorial dialogue across greater Sydney‘, is a project that introduces the first collaborative exchange between Parramatta Artists Studios in Western Sydney and Mosman Art Gallery, located on Sydney’s North …
Family, country and culture collide in the award-winning comedy/drama HOTEL SORRENTO by one of Australia’s most significant playwrights, Hannie Rayson.
Playing at Riverside Theatres from 31st July to 4th August, this poignant dramedy, which inspired the AFI Award-winning …
“I’ve got no choice. I can’t do what everybody else does, I can’t be a civilian, I’ve no backbone. I got a funnybone instead.”
FUNNY COW charts the rise to stardom of a female comedienne through the 1970’s …
The pre-credit intro begins in traditional style, “Ladies and gentlemen, a big hand for …..” and we see a woman, middle aged, spangled red dress, on a stage, captured from behind in a smoky spot. A comedian it …
Winter chastened, me thinks perhaps to see a show.
Paper unfurled. Ahha. STC’s my way to go.
The canon perhaps is my classic desire
An offering to stoke the deadening fire.
The very thing I chance to spy?
A Hamlet. …
There must be a temptation to use real product on the set of PERMISSION TO SPIN from Apocalypse Theatre Company in association with Red Line Productions. This is a manic 65 minutes and whatever hurtles the three person cast through …
RGB: A look at the life and work of Justice Ruth Bader Ginsburg.
At the age of 84, U.S. Supreme Court Justice Ruth Bader Ginsburg has developed a breathtaking legal legacy while becoming an unexpected pop culture icon. But without…
So this will be brief. After seeing THE ROLLING STONE tonight, my advice? Read no more, just get yourself tickets. It will sell out for sure. This production is political theatre that strikes with a charm and intelligence that never …
When exiting the theatre, as you step over the detritic chaos created by the human and robot cast of ROOMBA NATION, don’t let your program fall from your hand. Or, to start at the beginning, buy a program you mingy …