Judith is a Sydney theatre worker who was ‘born in a trunk’. With a lifelong passion for all performing arts, she has turned her hand to many jobs in film, TV and live theatre. Ranging from earning pocket money for trimming the back legs off tables, so they sat flat on raked stages to owning her own touring theatre company.
A lighting designer by trade, Judith experiences performances with a technical eye and an understanding of the jobbing actor and the theatrical bedrock which supports them.
Tempted. Very tempted. Tempted not to tell anything about last night’s show. I want to keep it all to myself. But since we’re friends, and if you promise not to spread it around, I might tell you about a …
RENT is a revered work. Only a month ago when Lin -Manuel Miranda’s HAMILTON: AN AMERICAN MUSICAL Cast Recording passed RENT’s sales, Miranda paid homage by telling Twitter “Okay I’ll take some questions but only answer in Rent quotes? Go!” …
MIRACLE CITY was first produced in Sydney in 1996 and after brief, bright flame of 4 weeks flickered out as the creative forces behind it moved on. Written by the late Nick Enright with music from Max Lambert (who is …
Lean and slippered. The stained figure before us is no hothouse creation. He is of the earth. His modesty is protected by his natural fibre woollen longjohns but he is white faced and stripped of insignia and identifiers. Perceptually naked …
THE GLOVEMAN which is currently playing at Blood Moon Theatre is bookended by he song ‘Rain’ from Dragon’s ‘Cuts from Tough Times’ album. The characters in the play are from hard times, the coal dust frosting the pub’s pint glasses …
One of the most moving songs in SMASH HITS AND STEREOTYPES is actually about an imminent death. Considering this is a young cast, a freshly created work and the story of a 21st birthday it really made me think. Such …
Production photography by Tyler Grace Photography.
Every last instinct is screaming at me. Plead.
Beg even. Make them go.
So here it is… I don’t ask much of you.
Please go and see MIRROR at the Sydney Fringe. I …
Hell on wheels, Emma O’Sullivan is hell bent on running hell for leather, um hell for sequins, into hellfire. And it’s a damned (get it?) good thing that she is a better pun writer than me. She has managed to …
What fun! BACKSEAT DIAMOND is exactly what I need in a Fringe Cabaret. Great characters, lots of laughs, fine singing and a conspiracy to boot! The brain child of Megan Kozak, the neatly written show has some terrific song …
“In my own life I would have fucken pushed him!” It was like Lord of the Flies there at the end! Yet, eavesdropping in the lift on the way out, I also heard … “Guys. OMG we just let it …