Ken Coleman

Began professional career as dancer/singer with J.C.Williamson’s as part of an Arts Council- sponsored country tour with “The Sentimental Bloke,” followed by shows such as “Camelot,” and “The Boys From Syracuse.” Joined the Garnett H. Carroll circuit, performing at Sydney’s iconic Tivoli Theatre, in “The Windmill Revue,” and “Fade Out, Fade In.”
After a stint in the RAN, embarked on the Sitmar (Now P. & O. Cruises) Passenger Liner T.S.S “Fairstar,” working as Stage Manager for their Theatre on the Sea, and then was promoted to Cruise Director. Disembarked ship in 1983 and formed a double club act with the late Chris Shaw, (Female Impersonator), performing in all the clubs throughout NSW. Did a season at Sydney’s “Olde Bull ‘N’ Bush” Theatre Restaurant in William Street.
After retiring from full-time employment, performed in musical theatre with “The Lugar Brae Players” situated in Bondi. Last performed with Ashfield Musical Society, playing “Senator Wingwoah” in “The Best Little Whorehouse in Texas.” Member of The Genesian Theatre Company, and currently teaches Line Dancing at the Eastern Suburbs Legion Club in Waverley.

15 posts by Ken Coleman

this bitter earth @ the new

Firstly, let me quote from the NewTheatre’s own website, which describes the play accurately: 

 “Being a 20-something queer is hard. Being a 20-something queer living in Sydney is… something else.

“Dating apps, capitalist nightmares, a rental market we’re not invited

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bin laden : the one man show

Before we even enter the theatre, we are asked, as an audience, to do so with an open mind and a willingness to listen. I was happy to do both.

We were greeted by the actor himself and were drawn …

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into the woods @ the concourse

Jordan and Laura Vassallo took a brave step in choosing to produce and present this very difficult Sondheim classic for the inaugural show of their new company Bloom Creative Productions directed by Jordan. If they had any trepidations about their

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romeo and juliet improvised: post haste players

The Post-Haste Players‘ ROMEO AND JULIET IMPROVISED is  not Shakespeare as you know it. It may not even be Shakespeare ‘as you like it’, but the capacity audience at the Factory Theatre on Wednesday night 16 May certainly did …

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the post-haste histories @ king cross theatre

Post-Haste-Histories116 (1)

From the creators of Bard to the Bone, last seen at a sold-out run at the Old Fitz Theatre, comes the next epic addition to the improvised Shakespeare canon, 

“Improv,” or improvisation if you like, is a unique type of

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willoughby symphony orchestra in brilliant form

 

Featured photo- internationally acclaimed Australian flautist, Virginia Taylor who performed Hindson’s new work.

The magnificent Willoughby Symphony is one of Australia’s most exceptional orchestral organisations – a professional symphony orchestra of outstanding quality, serving the community of Sydney’s

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