A passionate theatre person Lynne is originally from Sydney and holds a B.Ed (Art) – a postgraduate Diploma in Information Management (Librarianship) and an MA in Theatre. While living in London ( 2002 -2007 ) Lynne completed the dance criticism course at Sadlers Wells linked in with Chichester University.
Lynne has worked for both Ticketek and Ticketmaster here in Australia and was involved with the original production of THE BOY FROM OZ
An Ausdance member Lynne is passionate about dance and has studied ballet and Flamenco. Before moving to London she photographed the Sydney Dance Company and Australian Ballet among other companies and has exhibited internationally.
Lynne is a SAMAG member and a volunteer at the Art Gallery of NSW. Currently Lynne writes for arthub, danceinforma and sydneyartsguide.
Sadly Lynne passed away in December 2024.
Forget the ridiculous plot, sit back, relax and succumb to the ravishing singing and glorious music.
Marvellous Pinchgut Opera this year have brought us the astonishing GRISELDA by Vivaldi. In their trademark style we have a rarely seen opera, with
This is a a joyous, warm and sunny romantic comedy that had the entranced audience in frequent fits of laughter .Director Eamon Flack has devised a tremendous production, the ‘standard’ text slightly adapted and abridged ,with a brilliant cast and
This is a riveting political thriller that had the audience listening intensely on the edge of their seats. It is an explosively powerful play looking at recent events (1988) in Malaysia that still has resonance today. It is also an
Set in New York City, roughly in the 1950’s, this show is based on the 1960’s book by William Goldman The stage adaptation was first produced in 1987 and can be regarded as spoofing both the musical theatre genre and
‘His life in a plastic bag, his family in a chain around his neck’
Like Godot , Lucky never arrives , we never see him, but he is a major character in this play and dominates the show.
This amazing,lyrical