A passionate theatre person Lynne is originally from Sydney and holds a B.Ed (Art) – a postgraduate Diploma in Information Management (Librarianship) and an MA in Theatre. While living in London ( 2002 -2007 ) Lynne completed the dance criticism course at Sadlers Wells linked in with Chichester University.
Lynne has worked for both Ticketek and Ticketmaster here in Australia and was involved with the original production of THE BOY FROM OZ
An Ausdance member Lynne is passionate about dance and has studied ballet and Flamenco. Before moving to London she photographed the Sydney Dance Company and Australian Ballet among other companies and has exhibited internationally.
Lynne is a SAMAG member and a volunteer at the Art Gallery of NSW. Currently Lynne writes for arthub, danceinforma and sydneyartsguide.
Sadly Lynne passed away in December 2024.
’If you crave a sense of clarity, my world will only seem like a buxom calamity. Starring roles are allocated to my mortal painted motley swirls most delightful in their eventual decay, ready and able to be recklessly tossed about …
kThis latest offering as part of the NT Live wonderful season is dark, disturbing and compelling.
The social comment and context is extremely important. Directed by Rufus Norris and adapted by Simon Stephens much is made of the savage despair …
Jo Lloyd and Nicola Gunn’s MERMERMER has come straight from performances in Melbourne as part of Chunky Move’s Next Move season .
The audience eavesdrops on Lloyd and Gunn’s comic rambling stream of consciousness monologues developed from what they call …
For balletomanes this was enthralling. Artistic Director David McAllister and music director and chief conductor Nicolette Fraillon from the Australian Ballet talked to Caroline Baum about the Company’s upcoming production of Nijinsky choreographed by internationally renowned John Neumeier which opens …
For the latest ( and, sad to say, last in the season for the moment ) Cabaret In the Day at Mosman Art Gallery, under the terrific direction of Melvyn Morrow we had a superb POISONING PIGEONS IN THE PARK, …
Featured photo – Pianist Kathy Selby.
For the latest concert combining the marvelous talents of the Willoughby Symphony and Choir, the concert hall at the Concourse was packed to the rafters and we were privileged to hear some ravishing, glorious …
This was a marvelous, exuberant concert by the Australian Brandenburg Orchestra as led by Paul Dyer AO and featuring the Israeli superstar of the mandolin Avi Avital who dazzled in a bravura performance .
Dyer emphatically led from the keyboard …
This is a very strong and powerful production of one of Shakespeare’s now rarely seen plays, first performed in 1611 and nowadays often classified as a ‘romance’ . It has elements of grand guignol /Jacobean revenge tragedy and is quite …
This magnificent double bill will leave you breathless and stunned with awe at the superb performances. The brilliant Sydney Dance dancers excel themselves and are in top form.
Opening the program was Gabrielle Nankivell’s Wildebeest, first seen in 2014 as …
Willoughy Theatre presented the now-standard much loved Disney/Cameron Macintosh version, with small adjustments from the London version which was seen here at the Capitol several years ago.Matthew Bourne’s choreography is not retained but rather altered and adapted by Declan …