A passionate theatre person Lynne is originally from Sydney and holds a B.Ed (Art) – a postgraduate Diploma in Information Management (Librarianship) and an MA in Theatre. While living in London ( 2002 -2007 ) Lynne completed the dance criticism course at Sadlers Wells linked in with Chichester University.
Lynne has worked for both Ticketek and Ticketmaster here in Australia and was involved with the original production of THE BOY FROM OZ
An Ausdance member Lynne is passionate about dance and has studied ballet and Flamenco. Before moving to London she photographed the Sydney Dance Company and Australian Ballet among other companies and has exhibited internationally.
Lynne is a SAMAG member and a volunteer at the Art Gallery of NSW. Currently Lynne writes for arthub, danceinforma and sydneyartsguide.
Sadly Lynne passed away in December 2024.
Enter the 1893 Victorian world of 221B Baker Street , a cold and foggy London, and Sherlock Holmes and Dr .John Watson. Conan Doyle’s stories continue to be enormously popular and now we have both ‘Sherlock’ and ‘Elementary’ on our …
This was a superb concert, with the playing energetic and featuring a glorious, warm tone. The Australian Chamber Orchestra’s special guest artist was the internationally renowned Finnish pianist Paavali Jumppanen.
First up, the Lutoslawksi ‘ Subito’ , the composer’s last …
This new Opera Australia production, directed by Roger Hodgman, of Verdi’s 1851 much loved work replaces the Elijah Moshinsky version and is very exciting . The plot and dramatic structure of Rigoletto is simultaneously sordid and absorbing with its overtones …
FOOD is a magnificent collaboration between Force Majeure and Belvoir St and was originally seen downstairs at Belvoir in 2012. The script has been devised by co director actor/playwright Steve Rodgers.(Warning there are at times lots of strong language) .The …
With nods to both the legendary Olivier and the McKellan versions, this is an extraordinarily beautifully spoken version of Shakespeare’s play, but I am afraid it just falls short of the mark. You can certainly see what this production is …
The Sydney premiere of this originally Tasmanian play went off with a bang and was hugely enjoyable, cast and audience having a delightful time. Whovians can spend hours gleefully noting all the Doctor Who allusions and in-jokes – the play
The packed house absolutely adored this concert , the latest in the Live at Lunch series as devised, curated and performed in by internationally renowned flautist Jane Rutter.
This time Rutter wore a stunning long sleeved slinky dark blue long …
This is a deceptively simple, visually stunning theatre work combining mime, acrobatics, dance, projections and other elements in a joyous, mesmerizing and wistful work that is great fun and enchanting for all ages.( The audience when I attended was a …
The Australian Chamber Orchestra for this current program tackle the biggest symphonic configuration in their history and two ACO premieres in one concert, the heavyweight Sibelius 6 and Mahler 4. The concert could have another subtitle , ‘ Spring water …
Berlioz’s Romeo and Juliette is rarely performed as it requires such a big cast – a huge choir, a large orchestra and three top soloists.
First performed in November 1839 it is Berlioz’s tempestuous, dramatic distillation and reworking of the …