Maggy Franklin

Maggy Franklin has been involved in theatre and musical theatre in Sydney for many years. She has a teaching diploma in Speech and Drama, has attended Darlo Drama classes, acted and directed in Crash Test Drama, directed at Short and Sweet Sydney, is a regular judge at Short and Sweet and has directed in the Sydney Fringe Festival.

She runs the large internet based social theatre group Theatre Time Sydney which organises groups to attend and support independent theatre. An ex-high school teacher, she works in aged care, plays tennis, gets to the cinema whenever possible, and is a Lifeline volunteer.

She believes one can never go to too much theatre, and there is always something to be experienced at every production.

117 posts by Maggy Franklin

in the next room or the vibrator play

 

 

 
IN THE NEXT ROOM or THE VIBRATOR PLAY, Sarah Ruhl’s clever and powerful drama of female frustration and solitude, is in excellent hands with Meredith Jacobs direction of a talented cast in Castle Hill Player’s latest production. …

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funny money : cashes in on the humour

[usr 4]

If you are looking for a show with lots of laughs and clever misunderstandings that is created by an implausible plot, which keeps getting more and more convoluted as lie follows lie, then Ray Cooney’s FUNNY MONEY is …

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all my sons : an arthur miller classic

 

In yet another top-class production from Castle Hill Players, Jan Mahony’s direction of Arthur Miller’s All My Sons, presents us with a moving and tragic portrayal of a man fighting the demons of his past and the enormous consequences …

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the mystery of irma vep

For a wonderfully hilarious escape to the world of vampires, ghosts, mummies and werewolves, set of course, in a stately manor on the moors, you can’t go past Castle Hill Players present production of The Mystery of Irma Vep – …

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castle hill players : entertaining angels

It was with anticipation that we entered the theatre to watch Castle Hill Players first production for the year. No wonder, as the actors, crew and we the audience, have been waiting since last year to see Richard Everett’s play …

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