Richard Cotter

Art for art’s sake. Art felt and artful.

1760 posts by Richard Cotter

the duke: their excellency

It was speculated at one time that SPECTRE had masterminded the theft of the Goya painting, The Duke of Wellington, from the National Gallery, and that James Bond had tracked it down to the lair of Dr No on Crab

Read More »

dog: lulu unleashed

There’s a doggy bag of takeaway in DOG, a movie whose main meal is a bubble and squeak hodge podge, but the leftovers are a nevertheless tasty, if not necessarily a treat.

Traumatised war veterans is the serious side of

Read More »

friends and strangers: surreptitious satisfaction

Not so much a screwball comedy, but a screw loose comedy, FRIENDS AND STRANGERS makes friends with the audience despite, or maybe because, of its strangeness.

Written and Directed by James Vaughan, FRIENDS AND STRANGERS is a surreal curve

Read More »

brunswick street blues: auspicious debut

This wasn’t the first time I’d encountered a dead body.” That’s the solid brick opening line of BRUNSWICK STREET BLUES, the deadly debut novel by Sally Bothroyd.

It may not be the first dead body she’d encountered, but it’s

Read More »

the batman: gotham brat boy

The best thing about THE BATMAN is the villains.

Matt Reeves’ three hour belfry tour through a Gothic Gotham serves up three vile felons for the caped crusader to bif, zap and pow with.

Colin Farrell is a fabulously oily

Read More »

hand of god: put a sock on it

Can you be a happy clapper if your hands are covered in glove puppets?

The answer is a resounding no in Robert Askins’ play HAND OF GOD.

Actually, the title is a lie. The hand puppet is a full sleeve

Read More »

orange thrower: pith and zest

Pithy and zesty, Kirsty Marillier’s debut play, ORANGE THROWER is a compact calling card for an emerging writer ready to be noticed.

A four-hander with six characters, ORANGE THROWER is an examination of assimilation and aspiration, of migrant expectation and

Read More »
Scroll to Top