Geoffrey Sykes

Over 30 professional theatre productions, as writer, producer or director, including La Mama Melbourne, Holden Street Theatre Adelaide, 707 Theatre Redfern Sydney, Tap Gallery Sydney, Teatrul Municipal Bacovia Bacau Romania, Inculise Bucharest Romania,People’s Theatre Sofia Bulgaria, Old Fitzroy Sydney, Art Gallery of NSW, Powerhouse Museum and National Gallery of Canberra. Video programs have been broadcast on ABC, SBS, Foxtel and New Zealand television, and screenings at NSW Art Gallery, National Gallery of Canberra, South Australia Art Gallery, S.H.Erwin Gallery, Holden Theatre Adelaide, Wollongong Art Gallery, Thirroul Excelsior, Project Gallery Wollongong, and other public venues. Commissions by Art Gallery of NSW.

Sponsorships by Peabody Energy, IMB Bank, Lawrence Hargrave Centre, Anzac Commemorative Fund. Lecturer in media and communications at University of Western Sydney, University of Wollongong, Notre Dame University and University of New South Wales. Editor of Southern Semiotic Review journal.

74 posts by Geoffrey Sykes

coram boy @ kings cross theatre

Coram Boy is a well-crafted, brave, bold and entertaining production. Its direction, acting, lighting and staging are all at an exceptional level. The show is worth seeing for several reasons. 

My first impression from promotional publicity, that the work is

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anvil : an exciting new australian musical

On a cold mid-winter night in Gwynneville, an inner suburb of Wollongong, a major regional city of NSW, an uplifting and theatrically hot event occurred – the premiere of an Australian musical ANVIL written by South Coast creative arts teacher

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here after : a masterpiece of modern dance

HERE AFTER  is a finely woven tapestry of contemporary dance. It asks a lot of its ensemble of six dancers, who are on stage continuously for its hour length. Jennifer Horvath, Georgia Sekulla, Bree Timms, Abi Gasson

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