Johnny Mitchell

I didn’t immediately realise that I wanted to work in film, but I have always had a passion for it, and one way I’ve been able to showcase that is through writing film reviews. Doing these reviews have really helped improve my writing skills as well as my appreciation for the craft, as understanding the various roles and responsibilities of film creation has only strengthened my interest and desire to work on one someday.

For now, I’m using my personal website and Facebook to distribute two reviews on a weekly basis, and with over 550 released and still plenty more in the backlog, I have no intention of slowing down any time soon.

51 posts by Johnny Mitchell

28 YEARS LATER : TIME DIDN’T HEAL ANYTHING

The 2002 post-apocalyptic horror film, 28 DAYS  LATER,  may be seen as an acquired taste by some, but no one can deny the impact it had in reviving the zombie feature and drawing more attention back to a sub-genre that …

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ELIO : NOT REALLY OUT OF THIS WORLD

With Pixar currently needing to earn back the interest of casual audiences now that most of their newer films are Disney+ exclusives (effectively lowering their status from the heart-tugging mature sibling of Disney to that of a slightly obscure relative …

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MATERIALISTS : NOT YOUR TYPICAL ROMANTIC COMEDY

After the big success of her award-nominated feature debut, Past Lives, playwright-turned-director, Celine Song, couldn’t have asked for a better launching point for her film career, with her first film performing quite well from a critical, commercial and awards …

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BALLERINA : AN EFFECTIVELY PERFORMED PIROUETTE

 

After the massive success of the 2014 action film sensation, John Wick, the prospect of turning it into a franchise would’ve been too juicy for Lionsgate to ignore, especially with it easily being their most profitable and fertile option …

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THUNDERBOLT : THE LATEST MARVEL FILM

The latest Marvel film, THUNDERBOLTS, faced an unfortunate dilemma of coming out during a time of sheer unsteadiness for the brand, as the multiple recent mediocre releases have heavily watered down what used to be one of cinema’s biggest moneymaking …

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