Randolph Magri-Overend

One of the questions Randolph hates to answer is “Where do you come from?” Why? Because the answer can be so time-consuming and, in a way, also gives away how old I am, Plus the questioner has to wrestle with the wish he hadn’t asked the question!!

He was born in Cairo, Egypt, many moons ago of British parents although he can trace Maltese and Croatian ancestry in his lineage. Educated in a Jesuit college in London his wander lust for things unorthodox drove him to embark on a seafaring career with both Canadian Pacific Steamships and Shaw Savill. That in itself dates him because both lines have been redundant for many a year.

One of his boasts is that he was the Purser on the “Gothic” which ten years previously had been Queen Elizabeth II’s Royal Yacht soon after her coronation in 1953. One of the objects imported on the ship by HM and left behind was a tape player which Randolph utilised on many a memorable Sunday evening with a classical concert for his passengers. Thus began a journey that not only awakened Randolph’s love for good music but also eventually led to his extensive knowledge of music in all forms. That he loves the era of Sinatra, Crosby, Armstrong, Dorsey (both) and many many more exponents of the post-war music scene is also part and parcel of his appreciation of the music of many an era.

These days Randolph is retired but still reviews CDs and DVDs and has written articles on such diverse personalities as Yvonne Kenny, Teddy Tahu Rhodes, Alexander Briger, the late Sir John Tavener, Sir James Galway, Dawn Upshaw and countless probes into the music of Gustav Mahler, Elizabeth Shwarzkopf and her husband Walter Legge, Glenn Gould, Leonard Bernstein and many many more he regrets to admit he has lost track of!

Before emigrating to Australia, Randolph spent a number of years as a Flight Dispatcher in Canada. Since arriving in Australia, Randolph has written for The Weekend Australian (especially in their travel pages), The Sydney Morning Herald, Opera Opera and Fine Music magazine as well as writing for some jazz magazines.

66 posts by Randolph Magri-Overend

music legends : glenn miller

On 15 December, 1944 a US plane, the UC-64 Norseman, took off from RAF Twinwood in Clapham (on the outskirts of Bedford) and disappeared over the English Channel.  On take-off the weather was foggy and was forecast to remain that

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classical music legends : glenn gould

Glenn Herbert Gould was a genius.  Leonard Bernstein thought so and so did Vladimir Ashkenazy. Bernstein remarked once that “There is nobody like him, and I just love playing with him.” George Szell, who conducted Gould with the Cleveland Orchestra, 

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jazz legends : ella fitzgerald

Ella Fitzgerald was not the only black person to suffer racism and discrimination.  In 1946 Ella, whose contract with the Decca Recording Company had just expired, started touring with Norman Granz’s Jazz at the Philharmonic.  Granz became her mentor and

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pop legends : tony bennett

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The popular song world (and I’m talking here about the world when music was more than just excessive gyrations both physically and vocally) is full of American singers who proudly claim Italian heritage  Singers like Bobby Darin, Vic Damone,

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vladimir ashkenazy : a profile

Do you equate large hand spans with being a good classical pianist?  You’ll have to equate again, I fear. Look at the likes of Alicia de Larocha, Emil Gilels, Maria Joao Pires whose hands are/were on the small size. Even

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there is no one like dame kiri te kanawa

There are some people who enjoy singing at openings of international importance.  I daresay it has a domino effect – you do one and before you know it you’re asked to do more.  Dame Kiri Te Kanawa is one such

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humour in music

Music and humour have been cosy partners for centuries.  Mozart, for example, used it in his Divertimento in F for 2 horns and string quartet in 1787 to satirise contemporary composers and performers of popular music.  At the time it

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how you’ll get to love opera

So you wouldn’t be seen dead attending an opera?  Well, that’s understandable. The opera stage, on an average, is littered with dead bodies – so one more or less wouldn’t make a difference.  Corpses are part of the fatal charm

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contemporary conductors : valery gergiev

He occasionally uses a toothpick for a baton, often performs in a Nehru-style black suit and hardly ever appears in public clean-shaven.  But whenever the name of Valery Gergiev is mentioned there is a whiff of controversy in the air.

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