deer woman. haunting, conflicting, visceral.

Seeing as much independent theatre as I do, I often encounter the rage of all women balled into a tight little fist and raised above head height.  Wrathfully expleted over 90 minutes, DEER WOMAN is the female fury, sudden or …

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the chat. questioning the system

THE CHAT.  As the audience enters the theatre space we are directed to our seats by the performers, a mix of ex-offenders and actors, who chat amongst us till the sound of a shredding machine signifies the start of the …

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in the heights. dancin’ singin’ celebratin’

Not so such much a runaway hit as a stay-in-the-neighbourhood hit, IN THE HEIGHTS as directed by Luke Joslin brings a Washington Heights alive in a vibrant, energetic production with the closeness of community at its heart.  No mean feat …

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pigalle – funk me it’s a great night

With garbage cans and fruit crates, mirror balls galore and a popping neon sign, PIGALLE, playing at the Spiegeltent for the Sydney Festival, is a magnificent seat boppin’ reminder of why disco lives.  Heartbeats pound in rhythm with the bliss …

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la passion de simone @ carriageworks

The 2019 Sydney Festival has started with a bang and one of the major events is the Australian premiere of La Passion de Simone . Written by Finnish composer Kaija Saariaho, with a libretto in French by Amin Maaloufit it …

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daughter : confronting theatre at its sharpest

This Australian premiere production is a  co-production involving Quiptake, Pandemic Theatre and the Theatre Centre, Canada. DAUGHTER, written and performed by Adam Lazarus and directed by Ann-Marie Kerr,   is a collaboration uniting the three organisations’ shared values of complex, …

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