URZA AND THE SONG IN THE DARK is exactly what I always expect from Matriark Theatre – Artfully analogue, handmade, bespoke excellence in design and execution. It’s a wonderful production which is bursting with humanist joy, the visualization of the …
ART FOR ART’S SAKE examines the role of art and performance in the world, a fitting subject for a Sydney Fringe production. This short play shows glimpses of an artist’s life. The scenes of a film school class, dealing with …
A large crowd enjoyed the opening night of IT’S NOT CREEPY IF THEY’RE HOT at Bondi Pavilion Theatre as part of the 2018 Sydney Fringe Festival. It proved that Rosie Licence is a strong new playwright. Director Max Baume describes …
Patrick Marber’s AFTER MISS JULIE is a fascinating exercise in reinventing a classic and if the production playing as part of the Sydney Fringe is an imperfect rendering, it is nevertheless a watchable evening for both a Strinbergian like …
Biochemically speaking PITY PARTY is a huge wallop of serotonin and warning must be given! The energy alone will make you feel woozy, then there’s the queasy watching of the lemon squeezy and there’s the feely feely of the likely …
They might introduce themselves a “raging lesbians” but their show is more “sweet, funny lesbians” with added super cute and sassy bitch galore. Ally Cockrell and Kimberley Greaves are a couple who seem to love being in each other’s company …
SUNDAY STORIES was a lovely experience. Created and presented by Elisa Cristallo, it was a Sydney Fringe outing for a show which takes its cues from events like The Moth or from The Strangers podcast but with a good …
pool (no water) from Loose End Productions is playing as part of the Sydney Fringe.
A famous artist invites her old friends out to her luxurious home and new swimming pool. For one night only, the group is back together…
When The Guide saw SMASH HITS AND STEREOTYPES last year we wanted it to have a life (SAG Review) and here it is back for this year’s Sydney Fringe.
It’s Flora’s 21st birthday, and she and her friends …
A half truth; a vacant apology; a need for love and commitment that’s never met. DANCING DOESN’T COUNT at where we draw the line between doing right by each other and doing right by ourselves.
A new Australian play written …