This show is for all theatre people who have worked in a ticketing box office/call centre with annoying, idiotic customers. It has an excellent, very strong cast who are terrific, but the play is somewhat confused, jumbled and artificial and
Saturday night’s concert, MET SERIES 5, opened with a premiere of David Montgomery’s Air and the Void. There is a great sense of expectation in hearing a new work and this was increased by having the composer presenting and explaining
The World War 2 refugee experience that saw many Jewish people flee their home country and make a new life for themselves in a new land was disorientating and gut-wrenching- kind of like finding oneself washed up on a foreign
Water molecules, we are told at the commencement of this Theatre as Aquarium experience, are amicable atoms which like attachment and are tactile and societal. Quite a contrast to the techno set and situations we are presented with in this
Water is a precious but potentially dangerous commodity. This stage production follows of a handful of characters that are all drowning to some degree.
The overlapping narratives presented are disappointingly somewhat hackneyed with regards to originality of subject matter. However,
THE BEASTS OF THE SOUTHERN WILD (M) is an extraordinary film, a tempestuous magic realist movie with all the turbulence of a force 10 tornado generated by a hurricane performance by Quvenzhané Wallis as Hushpuppy, a sassy six year old
Idiosyncratic savant. That’s how I’d describe film- maker Whit Stillman.
From his feature film debut, METROPOLITAN to his fourth and latest film DAMSELS IN DISTRESS, I have been a fan. Original, audacious and always Whit-smart, Stillman’s movies are stars that
Challenging and provocative, this is a luminous, shimmering, extraordinary combination of fourteenth century music and contemporary dance .
This is the first time the Biennale has presented a dance company as part of its program and what a thrill it
Originally titled Nobel’s Last Will, LAST WILL (M) is the latest cinematic realisation in a spate of Scandinavian crime thrillers based on Nordic novels.
Like the most celebrated of these ice cold conspiracy and corruption capers, The Millennium Trilogy, LAST
This is an engrossing film about five children from a Nazi family fleeing Germany at the end of the Second World War. They are assisted by a young Jewish man, Thomas, in a superbly understated performance by Kai Malina. Lore,