never did me any harm
Kate Champion’s piece NEVER DID ME ANY HARM is a depth charge exploration into the whole world of the joys, challenges and frustrations of parenthood in the year 2012.
I loved NEVER DID ME ANY HARM, it just kept coming
Kate Champion’s piece NEVER DID ME ANY HARM is a depth charge exploration into the whole world of the joys, challenges and frustrations of parenthood in the year 2012.
I loved NEVER DID ME ANY HARM, it just kept coming
In an interview he once gave, the popular American writer Scott Spenser (‘Endless Love’, ‘Waking The Dead’) eloquently described his creative process, ‘I feel a need to have certain feelings and experiences described, to see certain ideas pursued, and at
That most iconic symbol of Australian domesticity, the Hills hoist, takes centre stage of Griffin’s 21st anniversary production of THE BOYS
A totem of the Australian dream, the hoist spins hysterically at the play’s beginning, an eerie harbinger of the
The vibe is incredible. Once everyone has recovered from Christmas feasting and New Year’s Eve binging King Street Theatre, formerly Newtown Theatre, is abuzz. Even the dress rehearsal (reserved for Writers, Directors and Actors of S+S only) is a sell-out.
A building site cluttered with debris is the setting for this play that explores the experiences of some of the workers & hangers-on that have ended up here.
Playwright Raimondo Cortese has written his piece without a conventional narrative, with
LOINS, LIMBS, RIBS, SINEWS AND SAX!
ANATOMY OF AN AFTERNOON is an ambitious and strenuous dance contribution to the Sydney Festival 2012 – with choreography collaborated by Paul White and Martin del Amo.
Paul White contorted his iron clad muscles
Set in the archipelago of the Hawaiian Islands, THE DESCENDANTS (M) is the latest marvel from director Alexander Payne, whose string of successes includes ELECTION, ABOUT SCHMIDT and SIDEWAYS. As noted in the prologue, families are like archipelagos – each
With a fascinating title design by Tim Miller and groovy music theme, a torture scene that threatens the male protagonist’s manhood and the protagonist played by Daniel Craig, the English language Hollywood studio version of THE GIRL WITH THE DRAGON
One of the early stand-outs of this year’s Sydney Festival was WALK A MILE IN MY SHOES, an exhilarating concert performed by the Barefoot Divas at the inner-city Carriageworks venue.
The Barefoot Divas comprised six exceptional female soul singers and
Sydney Arts Guide acknowledges the traditional land and its owners and the contribution of the First Nations People of Australia, past, present and evolving.