THE CHINESE TEA EXPO 2011 HOSTED BY THE FUJIAN CHINESE GOVERNMENT IS THE LARGEST AND MOST EXCITING TEA EXHIBITION TO EVER VISIT AUSTRALIA AND OFFERS FREE ENTRY!
THE VENUE IS THE BAYSIDE GRAND HALL AT THE SYDNEY CONVENTION AND EXHIBITION
Australia’s premiere playwright David Williamson has explored many different worlds in his long and illustrious career,- the world of an Aussie Rules team in THE CLUB and a radio shock-jock in INFLUENCE, just to name a few. In his new
Playback Theatre at the PACT- The theme- Love & Catastrophes
Love is complicated, love is real life, love is the human condition……..
These were thoughts of the audience after an emotional rollercoaster provided by the enterprising Playback ensemble at the
8/12/2012. Sidetrack Theatre 7:30 pm. It rains in buckets. The Jumbo jets roar away as if on a crash course with the Addison Arts & Events District. The potholes are deep and overflowing from the never-ending heavy rain. Good weather
Forget the ridiculous plot, sit back, relax and succumb to the ravishing singing and glorious music.
Marvellous Pinchgut Opera this year have brought us the astonishing GRISELDA by Vivaldi. In their trademark style we have a rarely seen opera, with
This is a a joyous, warm and sunny romantic comedy that had the entranced audience in frequent fits of laughter .Director Eamon Flack has devised a tremendous production, the ‘standard’ text slightly adapted and abridged ,with a brilliant cast and
The play’s title says it all. This is the play where, like a master chef, the Bard has mixed together all the ingredients that have great appeal to audiences and comes up with a fun, mirthful night at the theatre.
The Shakespeare Centre’s production of William Shakespeare’s ‘As You Like It’ at the Cleveland Street Theatre is a richly entertaining and romantic production of one of the Bard’s great comedies.
The title of this Shakespeare play is very appropriate. The
When a mortuary worker finds Annabel and Enoch, the two protagonists of Gus Van Sant’s latest film RESTLESS (M) scoping out the morgue and asks “Can I help you?” Enoch’s jaunty reply is “No thanks. We’re just browsing.”
Enoch is
What was all the fuss about?! I’m sorry but I just wasn’t a fan of Marius Von Mayenburg’s THE UGLY ONE, (translation by Maja Zade), the Stables final show for the year.
In the pre-publicity the show was described as,