You can dive into Polish playwright Tadeusz Rozewicz’s MARIAGE BLANC, as adapted by Melissa Bubnic, and know that you are not going to do yourself any injury…There are deep waters to explore.
Director Sarah Giles’s eloquently written program notes open
The writing team of Trevor Ashley and Phil Scott have created a new and raunchy underground ‘adults only Panto, fresh off the heels of their previously successful FAT SWAN.
The Studio at the Sydney Opera House has been transformed into
The Nederlands Dance Theatre’s AN EVENING WITH KYLIAN is a knockout.
Filmed at the Company’s home, the Lucent Theatre at The Hague. this is four short works showcasing the extraordinarily brilliant dancing of the company who are in top form.
This is a very, very good film. It gives you everything you want in a Bond movie, and more besides.
All the ingredients are in place, and nicely integrated too. There are more ingeniously staged fights and chases, where Bond
We’ve just been to the Concert Hall of the Sydney Opera House to see the Sydney Philharmonia Choirs Christmas concert, AN ENGLISH CHRISTMAS.
On stage, though the evening, was the Sydney Philharmonia Orchestra, supported by the Syndey Philharmonia Chamber Singers,
‘I GET THE MUSIC IN YOU, currently playing as part of this year’s NIDA Independent program, is a vehicle showcasing the considerable talents of one of our leading music theatre artists, Queenie van de Zandt.
Van de Zandt devised the
In Danish filmmaker Susanne Bier’s new film LOVE IS ALL YOU NEED Trine Dyrholm plays Ida a hairdresser who has come to the end of her initial treatment for breast cancer. As a result of the chemotherapy all her hair
RENT is an important rock musical which deals with confronting material from the end of the 20th century. A high level of dramatic skill and credibility is needed to deliver each scene. The demanding score also challenges the strength of
TROUBLE WTH THE CURVE (M) is the first film in twenty years that Clint Eastwood is starring in that he didn’t also direct.
Helming duties have been inherited by Clint’s long time first assistant director Robert Lorenz and he acquits
After dating for three weeks in the late 90’s, actors Rashida Jones and Will McCormack realized they were better suited as friends—and eventually, as writing partners.
After several failed attempts, they agreed upon an idea of Rashida’s that they both