When I read the outline of TAZ VS THE PLEB I missed the zany, parody and outrageous celebration descriptors and only took in the information about heteronormative culture, queer awakening, and the difficulties and anger raised by the plebiscite.…
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BORDERLESS is a masterful monologue aided by excellent stage craft. Writer and performer Peter-William Jamieson began researching the play after talking to a friend who had returned from a tour of duty in Afghanistan. The result is an 85 minute …
CLAUDEL is a thrilling reimagining of the story of one of the world’s greatest and most misunderstood sculptors, Camille Claudel and her complex relationship with legendary artist, Auguste Rodin.
CLAUDEL is a combination of narrative, dance, sculpture and music. It …
THE FOUL OF THE AIR eschews verbal language. Apart from a opening gambit, what little there is is skewed in guttural, incomprehensible whispers, a theatrical technique that is compelling in itself but leaves one wondering why spoken and written language, …
Two men appear on stage. Both are 60. Both are famous in Australian cultural circles. Both are very brave to reveal themselves so publicly. They are not actors. They play themselves developing a play about themselves. This isn’t verbatim theatre …
DEAD SKIN is an impressive piece of Australian naturalist theatre, all the more so as it was written by a 17 year old.
The two main female characters, both 17, are not stereotypes, neither is their infatuation with a girl/girl …
Lambert House Enterprises (whose work in the last year has included hit seasons of The Credeaux Canvas, The Shape of Things and Fag/Stag) are proud to announce a gala rehearsed reading presentation of an Australian classic .
Six of …
This ensemble show has much to recommend it.
It was pleasing to see such a collaborative style, which featured each of the four cast members – Kaylee Ashton, Alex Gonzalez, Kobi Taylor-Forder and Antonia Korn – respectively and …
When I was the same age as several of the cast of the Lipstick show, I saw the first version of Matt Rowley’s Boys in the Band (1970 – not the 2020 Netflix remount). For a fairly sheltered young adult …