Emerging Australian playwright Emme Hoy will make her mainstage debut at Sydney Theatre Company next month with her whip-smart, contemporary adaptation of Anne Brontë’s The Tenant of Wildfell Hall – on at the Roslyn Packer Theatre from June 21.
Directed …
MOULIN ROUGE! THE MUSICAL will have its first Sydney performance on Saturday 28th May as Baz Luhrmann’s revolutionary film comes to life onstage remixed in a musical mash-up extravaganza. The show makes a long-awaited homecoming to Sydney, where Luhrmann’s film …
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n June 1960, travelling salesman Bazil Thorne won 100,000 pounds in the Opera House Lottery.
Five weeks later jubilation turned to tragedy when Bazil’s eight-year-old son Graeme was kidnapped and held to ransom.
On 16 August, 1960, Graeme’s body …
The play’s title refers to the Lebanese city of Byblos, one of the oldest cities in the world. The main character, Adam, is a celebrated son of Byblos, in that Elazzi has written a play about him. There is no …
A visually spectacular and aural feast as the combined talents of the Willoughby Symphony Orchestra (WSO) and Legs on the Wall ( Legs ) unite to bring us NEXT CHAPTERS ABOVE/BELOW .It was performed and filmed at the Concourse , …
“Hello darkness, my old friend/I’ve come to talk with you again/Because a vision softly creeping/Left its seeds while I was sleeping/and the vision that was planted in my brain/still remains/within the sounds of silence’ Paul Simon ‘The Sound of Silence. …
After successful seasons in Brisbane and Melbourne AN AMERICAN IN PARIS has finally arrived ion Sydsney.
The Media Call was unusual in a number of aspects.
Firstly, the venue was kept a secret until the night before the media call.
When a big musical hits town, Sydney celebrities hot the Red Carpet. The An American In Paris premiere at the Theatre Royal was no exception.
Featured image : Jeremy Fernandez…
In 2018, the hugely talented Genevieve Hegney and Catherine Moore co-wrote and performed their first comedy show Unqualified at the Ensemble Theatre. It was refreshingly enjoyable and received glowing reviews.
After years of Covid setbacks affecting theatre and travel, Hegney …
Want to accuse Leah Purcell of cultural appropriation? Go for your life.
Her appropriation of Henry Lawson’s short story, The Drover’s Wife, reworking it, redefining it, into THE DROVER’S WIFE: THE LEGEND OF MOLLY JOHNSON is an entirely appropriate and …