julia @ drama theatre, sydney opera house

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Portraiture is a very well known, important and popular genre within the visual arts. One only has to look at the thousands that flock each year to the Art Gallery Of New South Wales to view the finalists

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fences : some fences you can climb over

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Black American playwright August Wilson’s classic play FENCES is currently playing at Sydney Theatre Company’s Wharf 1 Theatre. The director is Shari Sebbens, a Jibirr Jabirr person. Her interpretation of this complex play has brought the best

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for the time being @ flow studios camperdown

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It is always good to see the arrival of an accomplished new Australian play. This is the case with Lachlan Stevenson’s debut play FOR THE TIME BEING. Stevenson is an alumni of TheatreiNQ’s mentorship program, The Bridge Project

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funny money : cashes in on the humour

[usr 4]

If you are looking for a show with lots of laughs and clever misunderstandings that is created by an implausible plot, which keeps getting more and more convoluted as lie follows lie, then Ray Cooney’s FUNNY MONEY is …

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james mcmanus ‘cherry smoke’ @ kxt on broadway

[usr 3]

The last four reviews I have written have featured new venues. These started with the Library at Newtown, and its production of ‘Darkness’ – not too far away, near City Road on Broadway, Bakehouse Theatre Company has found

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la luna @ emanuel synagogue

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Writer, composer and director Joanna Weinberg and Emanuel Synagogue’s joint collaboration has turned the tragic story of the expulsion of the Jews into a most entertaining, sometimes light-hearted musical. It’s a fascinating and entertaining musical, presenting the historical

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one man, two guvnors @ the new theatre

[usr 3]

This play is an adaptation of a famous 1743 comedy by the Italian playwright, Carlo Goldini, “The Servant of Two Masters”. When such a play is transposed into the 1960s , in Brighton, England, and tributes to “Fawlty …

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the wasp : plenty of sting in this tale

[usr 4]

Crying Chair Theatre Company (CCTC), comprising just two thespians, Mel Day and Emma Dalton, has a reputation for producing challenging, thought provoking work.

CCTC’s first production for 2023 is a two hander, a little known play,  THE WASP 

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