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Cinema

SODA: AT THE JEWISH FILM FESTIVAL

 

SODA sounds like a sparkling entertainment experience, but the title belies the bitterness that bubbles away in this story of blighted relationships and the hangover from the Holocaust.

The film opens with a group of Polish partisans executing a

Literature

SHADOW TICKET: PYNCHON ENGLISH

Brimming with box office brio and blossoming into one of the biggest critical and financial hits of the year, ONE BATTLE AFTER ANOTHER is opening up new audiences to Thomas Pynchon, on whose novel, Vineland, ONE BATTLE AFTER ANOTHER is

Cinema

SOVEREIGN: SICK,SELFISH SNAKE OILERS

In the wake of the Porepunkah, SOVEREIGN has severe and savage reverberations, too soon to be seen by some, but certainly not in any way sympathising with wanton and wilful slaughter.

What many thought was a malaise of the U.S.A.

Cinema

DEADMAN’S MONEY: MURDER MOST FOUL

The Scottish play transferred and interpreted to modern day Northern Ireland.

And who’s to say Shakespeare is not universal, so?

DEAD MAN’S MONEY is a magnificent modern re imagining of Shakespeare’s Macbeth, that shows where there’s a will, there’s a

Cinema

SPINAL TAP II: THE END CONTINUES

Where most sequels squeal like a pig, SPINAL TAP II: THE END CONTINUES revels like a pig in shit.

Forty years in the faking, SPINAL TAP II: THE END CONTINUES is a fake it till we make it mock it

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