The best Australian film in a long while, KANGAROO ISLAND is a rich, multi layered story, intelligently written, deftly directed and beautifully acted.
Director Timothy David and writer Sally Gifford have combined, conspired and created a world class film, rich …
“I knew I should have taken that left turn at Albuquerque” is a famous quote from Bugs Bunny cartoons, often said when he realises he’s made a wrong turn or is lost.
If he’d ended up in Eddington, …
Cute as a cupcake and as sweet as one, BUTTERCREAM is a deliciously appealing confection from writer, producer, actor Ruby Busuttil.
BUTTERCREAM follows a young Maltese woman, Rose, as she navigates her irreparable grief for her Nanna, Marija, all the …
Creative Australia has revealed the shortlist for the 2025 Prime Minister’s Literary Awards, the richest literary prize in the nation. The awards celebrate the exceptional talents of emerging and established Australian writers, illustrators, poets, and historians.
The Prime Minister’s Literary …
Two B or not Two B, that is not the question but the address of the Genesian Theatre Company – 2 B Gordon Street, Rozelle.
2B Gordon Street is currently transformed into 221B Baker Street as that iconic deerstalker capped …
Japanese healing fiction seems to be a new niche in publishing. Offering cosy comfort for some, suggesting wanky woke woo woo in others, I’m sure.
Forget the labelling, the marketing, any initial adverse reaction to this advertising is averted and …
Once again the Hayes Theatre punches well and way above its weight with ONCE ON THIS ISLAND.
In association with Curveball Creative, ONCE ON THIS ISLAND is a vibrant, vivid and complete joie de vivre production infused with a Caribbean …
Long live the short form fiction. Not that it shows any sign of dying, in fact it is enjoying rude health from a number of highly skilled practitioners. From a long list of eleven short stories selected from over 1,200 …
On the eightieth anniversary year of the bombings of Hiroshima and Nagasaki, it is interesting to reflect a third “bomb” that specifically rendered the Japanese surrender.
In the August edition of the Australian Book Review, the lead essay, Without …
Asymptotic, hypnotic, mythic, YILKARI, co-written by the prize-winning author Nicolas Rothwell and his wife, the acclaimed artist Alison Nampitjinpa Anderson, captivatingly defies classification.
YILKARI reads like a rodeo – the dust, the light, the tension, the undercurrents, the constant moving, …