This statement came through today and is published in its entirety:
JOINT STATEMENT BY THEATRES IN SYDNEY
Wednesday 20 October 2021
This joint statement by theatres in Sydney acknowledges the significant and specific impacts that COVID-19 pandemic has had on …
There are only three potential kinds of scene, that hold together the structure of the plot of most plays, with fights, negotiations, seductions. Written with fire, and without the need for contrivance, POMOMA is a quickly paced and interesting …
Actor and playwright, Arinze Kene, began to write his monologue ‘GOOD DOG’ during the London Riots of 2011, which began in Tottenham and spread through England, resulting in looting, arson, mugging, assault and murder over 6 days. The play was …
Next up for KXT is THE WALWORTH FARCE from Workhorse Theatre Company. A deceptively old-fashioned high farce.
When Enda Walsh sat down to write THE WALWORTH FARCE he has said that he wanted to write a play that was impossible …
Photos by Jamie Breen
“I’ve never read Don Quixote and don’t intend to” Kerith Manderson-Galvin declares in the after show Q&A. “I’ve read snippets but that’s it.”
Being Dead (Don Quixote) presented by MKA in association with KXT bAKEHOUSE & …
The smooth jazz played preshow does somewhat lull one into a place. But that is not anything like the place you will be for the next 65 minutes. TONSILS AND TWEEZERS is an obstacle course of a show. What you …
Despite the evident time of year, A CHRISTMAS CAROL is a play cleverly out of joint. First impressions provide an audience with context. There are Christmas pines upside down, rope lit with electric white. Yet, darkly at the head of …
Production photos by Rupert Reid.
“It is easier to rob by setting up a bank than by holding up a clerk.” – Bertolt Brecht
This quote by German Modernist playwright Brecht is the opening description on MK Alpha’s page for …
Production photos by Marnya Rothe.
There has been and after Opening Night tonight, there will continue to be , a great deal of public and media discussion about the violence of one scene of Ruby Rae Spiegel’s DRY LAND playing …
“The play puts five women on stage and what is fascinating to me is that these characters cover three generations”, says Anna McGrath. McGrath takes a break from the rehearsal room to talk to the Guide about directing AMERICAN …