Tiziana Longo in MUTMotimaru’s MUT is the second work the company has brought to Sydney – last week I reviewed their TWILIGHT. Motimaru is a dance company founded in Tokyo by Motoya Kondo and Tiziana Longo, based in …
Motimaru is a dance company founded in Tokyo by Motoya Kondo and Tiziana Longo, based in Berlin since 2010 , who have taught and performed internationally. Their background is in performing arts, modern dance, martial arts, and Butoh. Motimaru…
OLD 505 SEASON 2018
https://old505theatre.com/performances.html
5 February – 17 March 2018: FRESHWORKS FRESHWORKS is a short, sharp season of experimental and new works returning for the fifth year. FreshWorks provides experienced artists an opportunity to test out new ideas…
Somewhere in our bent-over-laughing pavement debrief my hysterical friend and I decided that siblings really are divided into Kyles and Hamiltons. She being the youngest of 4 girls is a Kyle and my dopey brother is a Kyle. I …
So. It’s easy. Anyone can do it.
Give me a name … any name. Dean Haglund!
Odd name but there we go.
Now give me a place… any place. Old 505 Theatre, Newtown!
Oddly familiar but moving on.
Give me …
Cryptically, Performance Art which touches me always seems just slightly out of my reach… minimally but distantly un-understandable, despite how I strive for elucidation. Ergo, artists who create work which elicits a response in me, often appear to have secret …
It’s the raw redness of it. The pain when it stretches. The spasms and contractions in the slow twisting to find an elusive comfort. The joy during the hours of creation long gone, the sunburned characters who populate beside, around, …
Chekhov is such a specific playwright that he even has an adjective. However, AFTERPLAY, which is part of the Sydney Fringe and playing at Old 505, avoids being Chekhovian despite the characters having been pulled from lives created by the …
Most of us can play when playing is required… small relatives or cute fluffy animals will bring out our childlike side. However, I think we can agree that public play is really the preserve of the young. Explain then, how …
