THE 39 STEPS AT THE POP DRAMA THEATRE SYDNEY OPERA HOUSE

Lisa McCune and Ian Stenlake in THE THIRTY NINE STEPS. Pic Cameron Grant
Ian Stenlake in THE THIRTY NINE STEPS.Pic Cameron Grant
Ian Stenlake, David Collins and Shane Dundas in THE THIRTY NINE STEPS. Pic Cameron Grant
THE THIRTY NINE STEPS. Pic Cameron Grant

It’s no mystery why this gleefully silly spy parody  remains an audience favourite.  The show is a rollicking breeding ground for 100 minutes  of non-stop mayhem as our four fearless actors play 130 roles in a dazzling display  of quick changes, inventive stagecraft  and high-energy hilarity..

Under the direction  of Damien Ryan, four accomplished  actors, Lisa McCune, Ian Stenlake and the Umbilical Brothers, David Collins and Shane Dundas, strut their brilliance. We have all loved Alfred  Hitchcock’s classic  spy thriller  but throw in a dash of Monty Python-style lunacy and out pops The 39 Steps adapted by Patrick Barlow from the novel  by John Buchan.

On stage, suave but unsuspecting  Richard Hannay finds himself framed for murder  and becomes tangled in a web of spies, secrets and seductive strangers. To clear his name, he must outrun the law, outwit international agents and survive a string of increasingly  absurd adventures. Our upper-lipped hero gets drawn into a deadly game of espionage  after a chance encounter with a femme fatale while attending a West End show.  Soon he is racing across Scotland,  wrongly accused of murder, trying to evade a gang of Germans and the constabulary.

This action packed thriller  is being  told in a deliberately lo-fi theatrical  way, with extraordinary hard-working  actors doing costume quick changes, while dragging  various  props to evoke everything from a train to a bridge.  It’s sheer music hall performance,  as out of whack as Hannay’s various love interests: one minute a pining Highlands housewife, then a  haughty blonde Pamela.

The play retains the pace, passion  and varied twists that Hannay faces along the way while the rest of the characters are superbly played  with admirable clowning, quick changes and cheeky to cheezy aplomb.  The staging is deceptively clever in presenting  the thriller-like tension of espionage, derring-do and murder. It takes a lot of skill to make something look this hilariously ropey. Overacting is the name of the game and the cast throw themselves into this with gusto. The chase across the moors  is performed in silhouette  with human shadows,  miniature  2D cut outs and 3D models of biplanes. The lighting and sound complemented the stagecraft.

It’s good old-school silly comedy.

THE 39 STEPS is playing the Drama Theatre  at the Sydney Opera House until the 30th August 2025 and then goes on tour, next to the Civic Theatre, Newcastle between the 2nd and 6th September 2025.

 

 

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